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Erstkorrektur, Kommentarverschiebung wg. ul in p

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......@@ -154,7 +154,7 @@
<item>single quotes, both up, straight, open and close ('…')</item>
<label>sq-du</label>
<item>single quotes, down and up, open and close (‚…‘)</item>
<label>sq-uu-typographic</label>
<label>sq-uu</label>
<item>single quotes, both up, typographic, open and close (‘…’)</item>
<label>sq-guil</label>
<item>single guillemets, open and close (‹…›)</item>
......@@ -212,7 +212,7 @@
<fw type="letterhead" place="right" rend="align(left)">
<address>
<addrLine><placeName ref="#l0029">Berlin</placeName> W. 30,</addrLine>
<addrLine><placeName ref="#l0029">Berlin</placeName> W.30,</addrLine>
<addrLine><placeName ref="#l0072">Viktoria Luise-Platz 11</placeName> III.</addrLine>
</address>
</fw>
......@@ -223,61 +223,61 @@
<p>
Die <choice><orig>4</orig><reg>vier</reg></choice> <choice><orig>Clavier Nachmittage</orig><reg>Klaviernachmittage</reg></choice>
<note resp="#juliane.imme">
Anlässlich des Meisterkurses, den <persName ref="#p0017">Busoni</persName> im Herbst <date when="1910">1910</date>
am <placeName ref="#l0097">Basler</placeName> Konservatorium gab, veranstaltete er im Anschluss dessen
vier Klavierabende mit folgenden Programmen:
<list rend="indent-first-neg">
<item>
<hi rend="bold"><date when-iso="1910-09-10">10. September 1910</date></hi>
<lb/><hi rend="italic"><persName ref="#p0001">Beethoven</persName></hi>, <title ref="#w0152">op. 111</title>, <title ref="#w0167">op. 53</title>, <title ref="#w0003">op. 106</title>.
<lb/><hi rend="italic"><persName ref="#p0009">Brahms</persName></hi>, <title ref="#w0168">op. 35</title>.
</item>
<item>
<hi rend="bold"><date when-iso="1910-09-17">17. September 1910</date></hi>
<lb/><hi rend="italic"><persName ref="#p0137">Chopin</persName></hi>, <title ref="#w0169">op. 25</title>, <title ref="#w0170">op. 28</title>,
<title ref="#w0171">op. 23</title>, <title ref="#w0173">op. 15,2</title>, <title ref="#w0175">op. 48,1</title>, <title ref="#w0176">op. 53</title>.
</item>
<item>
<hi rend="bold"><date when-iso="1910-09-24">24. September 1910</date></hi>
<lb/><hi rend="italic"><persName ref="#p0013">Franz Liszt</persName></hi>, <title ref="#w0179">Mazeppa</title>, <title ref="#w0180">Harmonies du soir</title>, <title ref="#w0181">Appassionata</title>,
<title ref="#w0183">Andante capriccioso</title>, <title ref="#w0184">La campanella</title>, <title ref="#w0182">Feux follets</title>,
<title ref="#w0157">Klaviersonate h-Moll</title>, <title ref="#w0186">Erlkönig</title>, <title ref="#w0187">Ungarische Rhapsodien No. 13 A-Dur</title>,
<title ref="#w0189">Rigoletto-Paraphrase</title>, <title ref="#w0190">Polonaise E-Dur</title>.
</item>
<item>
<hi rend="bold"><date when-iso="1910-09-30">30. September 1910</date></hi>
<lb/><hi rend="italic"><persName ref="#p0017">Busoni</persName></hi>,
<title ref="#w0192">Toccata, Adagio und Fuge C-Dur (<persName ref="#p0012">Bach</persName>)</title>,
<title ref="#w0195">Wachet auf, ruft uns die Stimme (<persName ref="#p0012">Bach</persName>)</title>,
<title ref="#w0197">In dir ist Freude (<persName ref="#p0012">Bach</persName>)</title>,
<title ref="#w0199">Nun freut euch, lieben Christen g’mein (<persName ref="#p0012">Bach</persName>)</title>,
<title ref="#w0201">Écossaises (<persName ref="#p0001">Beethoven</persName>)</title>,
<title ref="#w0018">Fantasia contrappuntistica</title>,
<title ref="#w0205">Introduzione und Capriccio (<persName ref="#p0081">Paganini</persName>)</title>,
Sonatine, <!-- Um welche Sonatine es sich handelt ist nicht bekannt. Möglicherweise <title ref="#w0204">Sonatine</title>? -->
<title ref="#w0203">Mephisto-Walzer (<persName ref="#p0013">Franz Liszt</persName>)</title>.
</item>
</list>
<bibl>- <ref target="#b0047">Refardt 1939</ref>, S. 5, 46.</bibl>
</note>
<lb/>(oder Abende) habe ich mit
<lb/>(oder <choice><orig>A</orig><reg>-a</reg></choice>bende) habe ich mit
<lb/>folgenden Programmen ent
<lb break="no"/>worfen<choice><orig>.</orig><reg>:</reg></choice>
<lb break="no"/>worfen.
</p>
<note resp="#juliane.imme">
Anlässlich des Meisterkurses, den <persName ref="#p0017">Busoni</persName> im Herbst <date when="1910">1910</date>
am <placeName ref="#l0097">Basler</placeName> <orgName ref="#o0020">Konservatorium</orgName> gab, veranstaltete er im Anschluss
vier Klavierabende mit folgenden Programmen:
<list rend="indent-first-neg">
<item>
<hi rend="bold"><date when-iso="1910-09-10">10. September 1910</date></hi>
<lb/><hi rend="italic"><persName ref="#p0001">Beethoven</persName></hi>, <title ref="#w0152">op. 111</title>, <title ref="#w0167">op. 53</title>, <title ref="#w0003">op. 106</title>.
<lb/><hi rend="italic"><persName ref="#p0009">Brahms</persName></hi>, <title ref="#w0168">op. 35</title>.
</item>
<item>
<hi rend="bold"><date when-iso="1910-09-17">17. September 1910</date></hi>
<lb/><hi rend="italic"><persName ref="#p0137">Chopin</persName></hi>, <title ref="#w0169">op. 25</title>, <title ref="#w0170">op. 28</title>,
<title ref="#w0171">op. 23</title>, <title ref="#w0173">op. 15,2</title>, <title ref="#w0175">op. 48,1</title>, <title ref="#w0176">op. 53</title>.
</item>
<item>
<hi rend="bold"><date when-iso="1910-09-24">24. September 1910</date></hi>
<lb/><hi rend="italic"><persName ref="#p0013">Franz Liszt</persName></hi>, <title ref="#w0179">Mazeppa</title>, <title ref="#w0180">Harmonies du soir</title>, <title ref="#w0181">Appassionata</title>,
<title ref="#w0183">Andante capriccioso</title>, <title ref="#w0184">La campanella</title>, <title ref="#w0182">Feux follets</title>,
<title ref="#w0157">Klaviersonate h-Moll</title>, <title ref="#w0186">Erlkönig</title>, <title ref="#w0187">Ungarische Rhapsodie Nr. 13 A-Dur</title>,
<title ref="#w0189">Rigoletto-Paraphrase</title>, <title ref="#w0190">Polonaise E-Dur</title>.
</item>
<item>
<hi rend="bold"><date when-iso="1910-09-30">30. September 1910</date></hi>
<lb/><hi rend="italic"><persName ref="#p0017">Busoni</persName></hi>,
<title ref="#w0192">Toccata, Adagio und Fuge C-Dur (<persName ref="#p0012">Bach</persName>)</title>,
<title ref="#w0195">Wachet auf, ruft uns die Stimme (<persName ref="#p0012">Bach</persName>)</title>,
<title ref="#w0197">In dir ist Freude (<persName ref="#p0012">Bach</persName>)</title>,
<title ref="#w0199">Nun freut euch, lieben Christen g’mein (<persName ref="#p0012">Bach</persName>)</title>,
<title ref="#w0201">Écossaises (<persName ref="#p0001">Beethoven</persName>)</title>,
<title ref="#w0018">Fantasia contrappuntistica</title>,
<title ref="#w0205">Introduzione und Capriccio (<persName ref="#p0081">Paganini</persName>)</title>,
Sonatine [unklar, ob <title ref="#w0204">K 159</title> oder <title ref="#w0220">K 257</title>],
<title ref="#w0203">Mephisto-Walzer (<persName ref="#p0013">Franz Liszt</persName>)</title>.
</item>
</list>
<bibl>(vgl. <ref target="#b0047">Refardt 1939</ref>, S. 5, 46.)</bibl>
</note>
<list rend="indent" style="roman">
<item><persName ref="#p0012">Bach</persName> <choice><abbr>u.</abbr><expan>und</expan></choice> <persName ref="#p0001">Beethoven</persName>
<lb/>(darunter <title ref="#w0003">op. 106</title><choice><orig>.)</orig><reg>).</reg></choice>
</item>
<item>Sämtliche <choice><orig>Etuden</orig><reg>Etüden</reg></choice>
<lb/><choice><abbr>u.</abbr><expan>und</expan></choice> <choice><orig>Praeludien</orig><reg>Präludien</reg></choice> <persName ref="#p0137"><choice><orig>Chopin</orig><reg>Chopins</reg></choice></persName><choice><orig/><reg>.</reg></choice>
<item>Säm<choice><orig>m</orig><reg/></choice>tliche Et<choice><orig>u</orig><reg>ü</reg></choice>den
<lb/><choice><abbr>u.</abbr><expan>und</expan></choice> Pr<choice><orig>ae</orig><reg>ä</reg></choice>ludien <persName ref="#p0137">Chopin</persName><choice><orig/><reg>.</reg></choice>
</item>
<item>
Sämtliche <title ref="#w0158"><choice><orig>Etudes</orig><reg>Études</reg></choice>
Sä<choice><abbr>m&#773;</abbr><reg>mm</reg></choice>tliche <title ref="#w0158"><choice><orig>E</orig><reg>É</reg></choice>tudes
<lb/>transcendantes</title>
<lb/><choice><abbr>u.</abbr><expan>und</expan></choice> <title ref="#w0157">Sonate</title> <persName ref="#p0013"><choice><orig>Liszt</orig><reg>Liszts</reg></choice></persName>.
<lb/><choice><abbr>u.</abbr><expan>und</expan></choice> <title ref="#w0157">Sonate</title> <persName ref="#p0013">Liszt></persName>.
</item>
<item>
<persName ref="#p0015">C. Franck</persName>,
......@@ -288,9 +288,9 @@
<note resp="#juliane.imme">
Es handelt sich vermutlich um die <title ref="#w0018">Fantasia contrappuntistica</title>, deren Komposition
<persName ref="#p0017">Busoni</persName> Anfang <date when-iso="1910">1910</date> begann und schließlich
im <date when-iso="1910-06">Juni 1910</date> mit der <foreign xml:lang="it" rend="italic">Edizione definitiva</foreign> abschloss.
Die Anlage des Briefs ist jedoch nicht erhalten.
<persName ref="#p0017">Busoni</persName> Anfang <date when-iso="1910">1910</date> begonnen und
im <date when-iso="1910-06">Juni 1910</date> mit der <foreign xml:lang="it" rend="italic">Edizione definitiva</foreign> abgeschlossen hatte.
Die Anlage ist nicht mit dem Brief überliefert.
</note>
</item>
......@@ -301,12 +301,12 @@
<note type="foliation" place="top-right" resp="#archive">(2)</note>
<p>
<lb/>Darin sind - glaube ich -
<lb/>die bezeichnendsten <choice><abbr>u.</abbr><expan>und</expan></choice>
<lb/>Darin sind – glaube ich –
<lb/>die bezeichnendesten <choice><abbr>u.</abbr><expan>und</expan></choice>
<lb/>größten Werke der <choice><orig>Clavier</orig><reg>Klavier</reg></choice>
<lb break="no"/>literatur enthalten<choice><orig>.</orig><reg/></choice>
<lb/>(<choice><orig>Für</orig><reg>für</reg></choice> Vorschläge bin ich
<lb/>gern empfänglich)<choice><orig/><reg>.</reg></choice>
<lb break="no"/>literatur enthalten<del rend="strikethrough">,</del><choice><orig/><reg>.</reg></choice>
<lb/>(Für Vorschläge bin ich
<lb/>gern empfänglich<choice><orig/><reg>.</reg></choice>)
</p>
<p>
Ich <choice><orig>weiss</orig><reg>weiß</reg></choice> nicht<choice><orig/><reg>,</reg></choice> wie es
......@@ -315,7 +315,7 @@
<lb/>reichlich ausfallen, so
<lb/><choice><orig>waere</orig><reg>wäre</reg></choice> vielleicht doch eine
<lb/>Art <choice><orig>Aufnahme Prüfung</orig><reg>Aufnahmeprüfung</reg></choice>
<lb/>vorzuschreiben. -
<lb/>vorzuschreiben. –
</p>
<p>
<lb/>Bitte meine allerherzlich
......
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